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At the beginning of the 20th century, many technological innovations transformed man’s relationship to space, distance and time. The automobile is becoming more accessible. It became a predilection subject for modernist photographers. In 1931, the éditions Jacques Haumont published La Route Paris-Biarritz, seen and photographed by Germain Krull, with a preface by Claude Farrère. This book presents the diversity of the area travelled. But it is also a revealing example of how the technique – photographic and traveling – determines the journey and its narrative.

De Paris à Biarritz avec Germaine Krull et Claude Farrère : Un voyage phototextuel à l’ère du développement de l’automobile