English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

There is an ontological position on death in photography that is defined by its character of freezing time and mummifying index. In this paper, the issue of death appears, but suggests we think about it in a broader dialogue, in consonance with urban life, in which the photographic detail highlights expressiveness in the animal death banality on the streets. Through three photographs, we ask: how is certain aesthetic point of view expressed in the face of the urban wastes frivolity? The dead animal body here appears in an amalgam of flesh and stone of which we highlight the survival of form, matter and skin. They are three manifestations of what insists on image despite the death

Bichos de rua, fotografia e vida urbana: três sobrevivências em três imagens de morte