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The late entry of hip-hop culture and rap music in Italy did not prevent the emergence of this musical genre in the main Italian urban centres. After the Golden Age of Italian rap, in the Nineties, and a subsequent crisis, at the beginning of the Two-thousands, new rappers emerged. Among them, the so called “exotic” rappers, of Italian language and culture, but of African or Asiatic origins. The article here presented has the purpose to analyse the contribution that in a first time the rappers of the G2 network, thus the young rappers (and trappers), as Laioung and Ghali, gave to the Italian rap movement, focussing on the kind of their socio-political engagement. Palavras-chave: Hip-hop. National Identity. Posse. Trap.

O rap “exótico” na Itália contemporânea: entre direitos negados e nova cidadania