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It is notorious the increase of the researches about “independent” musical phenomena in the Brazilian academic agenda in the last years. However, there are few works that provide data about the quantity of agents and instances as well as of the artistic material produced in these contexts. It is relatively clear also the weak presence in this bibliography of various territories far away from the main Brazilian economic and political centers. The article aims to discuss this double gap from the presentation and analysis of a catalog of artists that develop or developed activities in the independent rock of Teresina, capital of Piauí State (Brazil), in these first years of the 21st century. Before the analysis, it is explained the data collection procedures and the general criteria that guided the construction of this catalog. It was verified both the robust character of the Teresina’s rock production, with more than 150 names catalogued, and the diversity in aesthetic, ideological and sociodemographic terms.

música hodie

Outros territórios da música independente brasileira no início do século XXI: uma discussão a partir do catálogo de artistas do rock independente de Teresina (2001-2017)