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! e article analyzes the process of memories’ elaboration about the trajectory of the writer Carolina Maria de Jesus (1914-1977) through the process of memories’ formulation and circulation. ! e aim is to understand the discursive dynamics and articulations through which it takes place within the Brazilian literary history, in which Carolina is enrolled and for which she is remembered. Backed primarily by assumptions of discourse analysis of the French line, the re ections point to the existence of joints that create a space of marginalization and a space of drama in which the trajectory of the writer is enrolled.

CAROLINA MARIA DE JESUS: DA MARGINAL AO NEGRO DRAMA