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espanolEl presente articulo pretende acercarse a la creacion escenica y dramaturgica del director ucraniano Andriy Zholdak a partir del espectaculo Hamlet. Dreams. El complejo universo poetico de este director nos enfrenta como espectadores a diversas estrategias que se relacionan con la dramaturgia contemporanea europea. La relacion estetica entre el texto de Shakespeare y la creacion de Zholdak se apoya en la deconstruccion, tanto a nivel fabular como a nivel escenico. Zhodak proyecta su universo propio, su experiencia vital, sus pulsiones creativas, en una complicada pieza dividida en tres partes polisemicas donde el trabajo gestual del actor y el campo sonoro se revelan como los signos escenicos principales. EnglishThe purpose of the present article is to approach the scenic and dramaturgic creation of Ukrainian director Andriy Zholdak starting from the performance Hamlet. Dreams. The complex poetic universe of this director faces us as an audience with a diversity of strategies that are related to the contemporary European dramaturgy. The aesthetic relationship between Shakespeare’s text and Zholdak’s creation supports itself on deconstruction, both at the fable and the scenic levels. Zhodak projects his very own universe, his vital experience, his creative drive, in a complicated piece divided in three polysemic parts in which the actor’s gestural work as well as the sound field reveal themselves as the most significant scenic signs. This article also addresses the critic’s response towards this performance in its two sole exhibitions in our country, in Madrid and Barcelona, and also in Europe, with the purpose of collating or comparing the reception of such a complex piece of work and its anchorage within the European scenic trends of the first third of the 21st century.

El universo onírico de Andrej Zholdak a través de los sueños de Hamlet: "Hamlet Dreams" y su paso por el teatro español