English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The article proposes a journey along the different ways in which ethnomusicology has reflected on the sound recording and archive, from its first formulation, known as comparative musicology, to the present day. The journey reveals that the discipline has selectively adopted questions, definitions and concepts from other areas of knowledge, and that its reflections on the sound recording and archive have been sensitive to the theoretical, ethical and methodological changes, which have taken place inside the discipline. It also confirms that in the current reflection scenario on the subject very different perspectives coexist, some of them adopted over a century ago, which define the archive as an institution, reservoir, memory and/or knowledge.

El registro y el archivo sonoros bajo las miradas de la etnomusicología