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Since he filmed the documentary Shoah, in 1985, Claude Lanzmann has not stopped filmaking pieces that are essential to understand the development of the historiographical thought in the second half of the last century. His particular way of telling the horror, through the testimonies, is a reliable way to tell the reality. given this narrative mode, there have been different critical discourses which also they will be analyzed. the truth is that the influence of Lanzmann’s work has been capital, and this work aims to make an approach to the Holocaust with the documentary film as a suitable tool for it. therefore, a study of film features developed by the director will be made from Shoah to Le dernier des injusted, his last work to date.desde que filmara el documental Shoah, en 1985, Claude Lanzmann no ha dejado de crear piezas cinematográficas que resultan fundamentales para entender el desarrollo del pensamiento historiográfico de la segunda mitad del pasado siglo. Su particular forma de contar el horror, por medio de los testimonios, es un camino fidedigno de contar la realidad. ante este modo narrativo, han surgido diversos discursos críticos, que también serán tratados. Lo cierto es que la influencia de la obra de Lanzmann ha sido capital, y este trabajo pretende, a partir de esta, acercarse al Holocausto con el cine documental como herramienta propicia para ello. de este modo, se realizará un estudio de las características cinematográficas desarrolladas por el director desde Shoah hasta El último de los injustos, su último filme estrenado hasta la fecha

El cine documental de Claude Lanzmann. El Holocausto contado a partir de Shoah