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What drew Italo Svevo and James Joyce together was in part a profound similarity in artistic sensibility. This similarity can be understood in fairly concrete terms if one examines the parallel relationships that these two writers had with their younger brothers. Both writers drew, in remarkably similar ways, from their younger brothers’ often painful experiences life. Both writers, in short, needed to maintain an indeterminate identity – something for which the city of Trieste was peculiarly suitable – in order to become and therefore to create the characters that would inhabit their imaginative writing.L’attrazione fra James Joyce e Italo Svevo fu determinata dalla somiglianza fra le sensibilità artistiche dei due scrittori. Come si cercherà di dimostrare in questo lavoro, tale somiglianza viene provata dal parallelismo delle relazioni che entrambi gli scrittori tennero con i loro fratelli minori. I due scrittori fecero uso, in modi straordinariamente simili, delle esperienze, spesso penose, dei loro fratelli, uso che consentì loro di mantenere un’identità indeterminata, in divenire, di cui la città di Trieste fu lo scenario idealmente adatto, capace di consentire loro la creazione dei personaggi che animano le rispettive opere

Vita sofferta e vita scritta. Elio Schmitz, Stanislaus Joyce e i loro fratelli