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Acknowledged as much for their verbal strength as for their testimonial value, Michelangelo Buonarroti’s Rime are also the innermost expression of his thought. This article offers a general analysis of some contents and images as topics that have arisen from the long Neoplatonic tradition, both in their philosophical roots and lyrical derivations; particularly, it looks for examples concerning the two fundamental topics of Michelangelo’s poetic work: the erotic and the artistic spheres. Through the study of recurrent concepts and metaphors, it is shown the adequacy of the Neoplatonic approach to his poetry, but also, within this theoretical framework, it is stressed its value as an apical manifestation of idealistic aesthetic theory of the High Renaissance and the singularity of Michelangelo’s thought as «demiurgic idealism».Reconocidas tanto por su fuerza verbal como por su valor testimonial, las Rime de Michelangelo Buonarroti constituyen la más íntima expresión de su pensamiento. En este artículo se ofrece un análisis general de algunos contenidos e imágenes con la contextura de tópicos que provienen de la larga tradición neoplatónica, tanto en su raíz filosófica como en sus derivaciones líricas; en particular, se indagan ejemplos que atañen a dos vertientes fundamentales de la obra poética miguelangelesca: la amorosa y la de temática artística. A través del estudio de la recurrencia de conceptos y metáforas se intenta mostrar el nivel de pertinencia en el análisis de esta poesía en términos del neoplatonismo, para también, dentro de ese marco teórico, destacar su valor como manifestación cimera de la estética idealista del alto Renacimiento y la singularidad del pensamiento de Michelangelo como «idealismo demiúrgico»

Tópicos neoplatónicos en la poesía de Michelangelo Buanorroti