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La extensa y polifacética obra de Leon Battista Alberti (1402- 1472) se constituye sobre la base de dos visiones del mundo confrontadas: el “paradigma del absurdo” y el “paradigma de la razón”. Ambas parten de una misma constatación de la realidad: el carácter precario de la existencia humana, sometida a los vaivenes de la fortuna y al implacable poder del hado. Frente a este panorama, I libri della Famiglia, el Momus y las Intercenales elaboran distintas respuestas vitales, que dan cuenta de la oscilación del pensamiento albertiano entre lo racional y lo irracional, entre el caos de la fortuna y la forma que el hombre procura dar a su mundo, expresada en la tentativa de construir un tiempo humano. Esta tentativa difiere al tratarse del “paradigma del absurdo” o del “paradigma de la razón”: mientras que, en el primero, el hombre construye un tiempo propio para escapar de la precariedad de la existencia, corroborando el carácter absurdo de la vida, en el segundo, la apropiación humana del tiempo permite la emergencia de una razón virtuosa.The large and heterogeneous work of Leon Battista Alberti (1402 - 1472) is based on two confronted visions of the world: the “paradigm of the absurd” and the “paradigm of the reason”. Both come from the same recognition of reality: the precarious character of the human existence, submitted by the swings of fortune and by the implacable power of fate. Faced to this situation, I libri della Famiglia, Momus and the Intercenales elaborate different vital answers, which represent the fluctuation of Alberti’s thought between the rational and the irrational, the chaos of the fortune and the shape that the human being tries to give his world, expressed as the attempt of building a human time. This attempt is different if it deals with the “paradigm of the absurd” or with the “paradigm of the reason”: while in the former the man builds his own time in order to escape from the precariousness of the existence, confirming the absurd character of life, in the latter human appropriation of the time allows the rising of a virtuous reason

El dominio del tiempo en el "Momus", "I Libri della Famiglia" y las "Intercenales" de Leon Battista Alberti