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Si Carl Einstein sigue siendo de por sí una figura marginal dentro de la cultura alemana, su obra Die Fabrikation der Fiktionen permanece desatendida incluso entre sus estudiosos pese a contener valiosísimas claves para entender el cruce entre filosofía y política que caracteriza a buena parte del pensamiento europeo del siglo XX. Así las cosas, tras una parte inicial donde se dibuja a grandes rasgos la personalidad del autor y se toma el pulso a sus últimas ideas y acciones, el artículo despliega un examen detenido de la obra, realizando en primera instancia un cotejo de las distintas interpretaciones que de ella se han venido haciendo, y llevando después a cabo una nueva lectura de sus principales ideas fuerza –el conflicto entre Realität y Wirklichkeit o el propio concepto de Fiktion– y una valoración de la empresa einsteiniana mediante su contraste con ciertas obras de pensadores coetáneos como Siegfried Kracauer y Paul Nizan.Carl Einstein is a not very well known figure within German culture, but his essay Die Fabrikation der Fiktionen remains ignored even among scholars of his work despite containing highly valuable clues to understand the intersection between philosophy and politics that characterizes much of the European thought of the twentieth century. Given this situation, after an initial part where the author’s personality and his latest ideas and actions are taken in account, the article makes a thorough review of Die Fabrikation der Fiktionen by doing firstly a comparison of the different interpretations that it has received until now, and continues by carrying out a new reading of its main ideas –the conflict between Realität and Wirklichkeit or the very concept of Fiktion– and an exercise of contrast between the essay and certain works by contemporary thinkers like Siegfried Kracauer and Paul Nizan

Una filosofía en acción: Carl Einstein y Die Fabrikation der Fiktionen