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El artículo propone una lectura cronológica de las caracterizaciones del artista a partir de tres momentos diferenciados, tal y como son presentados por el artista argentino Ricardo Carpani en sus artículos y libros publicados entre 1958 y 1985. En dicho itinerario buscamos exaltar la evolución del concepto de artista en la propia reflexión teórica de Ricardo Carpani, diferenciando los requerimientos del “artista libre”, “el artista revolucionario” y “el militante artístico”. A la vez, dejar en evidencia que dicha especulación encuentra una correspondencia con las variaciones en las prácticas artístico-políticas del propio Carpani, efectuadas en un momento coyuntural de la historia política argentina y latinoamericana.The article proposes a chronological reading in the characterizations of the artist from three distinct moments, as are submitted by the argentine artist Ricardo Carpani in their articles and books published between 1958 and 1985. In the roadmap we exalt the evolution of the concept of artist in the own theoretical reflection on Ricardo Carpani differentiating the requirements of the “free artist”, the “revolutionary artist” and “the militant artistic”. At the same time, leaving evidence that such speculation is a correspondence with variations in the artistic practices and politics practices of the own Carpani, carried out in a key moment in the political history in Argentina and in Latin America

Tres movimientos para configurar el rol del artista en América Latina. Una lectura de la obra publicada de Ricardo Carpani