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Este artículo presenta las primeras aproximaciones y los precedentes inmediatos del Libro de Artista y expone los orígenes del proceso de transformación que éste experimentará a lo largo de los siglos XX y XXI con la finalidad de significar su desarrollo contemporáneo. Analizaremos la decisiva influencia en el desarrollo del Libro de Artista que han supuesto las series de grabados Carceri (c. 1745) de Giovanni Battista Piranesi y Caprichos (1799) de Francisco de Goya en cuanto a su concepción como obra única, el novedoso y experimental uso del aguafuerte de William Blake fusionando la labor de poeta y artista en su libro Songs of Innocence and of Experience (1794), el ideario de William Morris reflejado en su conferencia “The Ideal Book” (1893), el enigmático poema Un Coup de Dés (1895) de Stéphane Mallarmé abogando por la plasticidad y sonoridad tipográfica y la capital importancia de Ambroise Vollard como editor y concibiendo el libro como el resultado interdisciplinar de la colaboración entre el poeta, el artista y el propio editor.This article shows the firsts approaches and immediate precedents of Artist’s Book and exposes the origins of the transformation process that it will expreriment during the Twentieth and Twentifirst Century in order to mean its contemporary development. We will analyze the decisive influence in the development of the Artist’s Book that have meant the etching series of Giovanni Battista Piranesi’s Carceri (c. 1745) and Francisco de Goya’s Caprichos (1799) regarding their conception as a single work, William Blake´s novel and experimental use of etching joining poet and artist’s task in his book Songs of Innocence and of Experience (1794), William Morris’s ideology reflected in his lecture “The Ideal Book” (1893), the enigmatic poem Un Coup de Dés (1895) from Stéphane Mallarmé standing for a typographical plasticity and sound and the seminal importance of Ambroise Vollard as an editor that conceived the book as the consequence of the interdisciplinary collaboration between poet, artist and publisher

El Libro de Artista de ayer a hoy: seis ancestros del Libro de Artista contemporáneo. Primeras aproximaciones y precedentes inmediatos