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In light of the concepts of militant particularism proposed by David Harvey and police suggested by Jacques Rancière, this paper analyzes the dynamics of political movements and their relationship with public space that took place in the city of Yonkers and that television miniseries Show Me a Hero (David Simon and Paul Haggis, HBO, 2015) aims to describe. The events represented in this film are taken as a paradigmatic example of the degradation and depopulation process that urban centers suffered in the United States since the early ‘80s. The final objective of this article is to put them in relation with some photographs of Jeff Wall and canvases painted by Kerry James Marshall that reflect similar episodes from the art domain.A la luz de los conceptos de particularismo militante, propuesto por David Harvey, y lo policial, sugerido por Jacques Rancière, el presente artículo analiza la dinámica de los movimientos políticos y su relación con el espacio público que se produjo en la ciudad de Yonkers a través de la miniserie televisiva Show Me a Hero (David Simon y Paul Haggis, HBO, 2015). Los hechos narrados en esta obra se toman como ejemplo paradigmático del proceso de despoblamiento y degradación que sufrieron los centros urbanos en Estados Unidos a partir de la década de los años 80, con el objetivo final de ponerlos en relación con algunas fotografías de Jeff Wall y lienzos del pintor Kerry James Marshall que, desde el ámbito artístico, dan cuenta de episodios muy similares

Movimientos políticos urbanos y espacio de consenso en "Show Me a Hero"