English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

Entre los siglos XVIII y XIX asistimos al nacimiento de una historiografía de la arquitectura española, que guarda una estrecha relación –no siempre tenida en cuenta– con la existencia de un imaginario arquitectónico. La técnica del grabado constituyó una herramienta fundamental para la transmisión de imágenes y conocimiento antes de la invención y difusión de la fotografía. Esta transmisión adquiere particular importancia en el caso de la arquitectura que, por su propia naturaleza es inherente al espacio en el que se encuentra. Por este motivo en el presente artículo estudiaremos qué tipo de imágenes se fueron reproduciendo y especialmente qué edificios se decidían reproducir, para de esta forma, tratar de aproximarnos a la memoria visual de la arquitectura española durante la Edad Moderna, situada en la base de dicha historiografía.The 18th and 19th Centuries witnessed the birth of a Spanish architecture historiography that is in tight connection with the existence of an architectural imaginary –though this has not always been taken into account. The technique of engraving was an essential tool for the transmission of images and knowledge before the invention and popularization of photography. This transmission becomes particularly important in the field of architecture, which due to its nature is inherent to the space it is located in. Therefore, in this paper we will study what kind of images were reproduced, and specially which constructions were chosen to be spread, in order to get an approach to the visual memory of Spanish architecture during the Modern Age, which was at the base of the mentioned historiography

La "memoria visual" de la arquitectura española en los grabados de la Edad Moderna