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In 1975 Laura Mulvey published “Visual Pleasure and Narrative Cinema” and ever since it has been a constant reference in film and artistic studies. Mulvey developed a theory of the male gaze and its relation to the subject of the gaze based on the studies conducted by Sigmund Freud and Jacques Lacan. This article tries to read the iconography of Bathsheba’s bath as it appears in Late Medieval books of hours in mulveian terms. This iconography from the Old Testament is ideal to do such a reading since the gaze is central to the story. Not only is the gaze of King David watching Bathsheba bathing involved here, but also the gaze of the artist that created the image and the gaze of the spectator. Even though the theory applied here is a postmodernist theory, the discourse of the gaze as it was discussed during the Middle Ages will be taken into consideration.En 1975 Laura Mulvey publico “Visual Pleasure and Narrative Cinema” y desde entonces ha sido una referencia constante tanto en estudios de indole cinematografica como artistica. Mulvey desarrollo una teoria sobre la mirada masculina y su relacion con el objeto de esa mirada basandose en el trabajo realizado tanto por Sigmund Freud como Jacques Lacan. Este articulo pretende aportar una lectura mulveyana de la iconografia del Bano de Betsabe tal y como aparece en los libros de horas bajomedievales. Este tema del Antiguo Testamento es muy apropiado para aplicar esta teoria ya que se trata de una iconografia en la que esta involucrada la mirada del artista, la mirada del espectador, y la mirada del rey David mientras ve a Betsabe banandose desnuda en un jardin. Si bien se va a aplicar una metodologia postmoderna a un tema medieval, se incluira el discurso ya existente durante toda la Edad Media sobre la mirada

La mirada mulveyana y el baño de Betsabé en la Baja Edad Media