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The present work aims to serve as an introduction to Adriana Assini’s work, so as to establish relations existing between painting and writing, two forms of expression she used as a contribution to the debate on the representation of women throughout history. Adopting the Horatian maxim, the Roman artist introduces herself as “a painter who writes and a writer who paints” and bestows upon both the word and the image, the same function, the narrative one. Both artistic disciplines have an analogical relationship where parallelisms are clearly evident, yet their differences become more obvious as the foundations which give rise to each discipline are analyzed: painting emanates from fantasy whereas literature is the result of a rigorous critical study.El presente trabajo pretende hacer un acercamiento a la obra de Adriana Assini para establecer las relaciones que se crean entre la pintura y la escritura, dos formas expresivas de las que se sirve para contribuir al debate de la representación de la mujer en la historia. Siguiendo la máxima horaciana, la artista romana se presenta como “una pintora que escribe, una escritora que pinta”1, y le otorga a la palabra y a la imagen la misma función, la narrativa. Las dos disciplinas artísticas mantienen una relación analógica en la que los paralelismos son más que evidentes pero, sin embargo, las diferencias se acentúan cuando se analizan los fundamentos que originan cada una de ellas: la pintura obedece a la fantasía y la literatura es resultado de un riguroso estudio crítico

“Palabras y pinceladas. Las relaciones entre la pintura y la escritura en la obra de Adriana Assini