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espanolEn la Capilla de San Hermenegildo de la Catedral de Sevilla se conserva el sepulcro que Lorenzo Mercadante tallara entre 1454-1458 para albergar los restos del cardenal Juan de Cervantes, destacado prelado que participo en los concilios de Siena y Basilea. El objeto de estudio de este articulo se vertebra en torno al programa epigrafico que se ideo para perpetuar el recuerdo de este ilustre prelado hispalense. Para ello, se han empleado diferentes fuentes documentales y bibliograficas, con las que se ha podido contextualizar todo lo concerniente a la fundacion de la capilla sepulcral y las posibles connotaciones que la relacionan con el mensaje epigrafico. Como en otros monumentos funerarios de la Castilla del siglo XV, el sepulcro del cardenal Juan de Cervantes constituye una importante aportacion al panorama necrologico del momento, al concentrar, en el mismo espacio, dos modelos graficos diferentes: el humanistico y el gotico. La escritura empleada en el epitafio sepulcral y en la suscripcion del autor, se relacionan con otros monumentos coetaneos procedentes de Castilla e Italia, ejemplos que demuestran la importacion de nuevas sensibilidades esteticas vinculadas a la escritura. EnglishAt the Cathedral of Seville, its San Hermenegildo’s Chapel has the Cardinal Juan de Cervante’s tomb, which was carved by Lorenzo Mercadante from 1454 to 1458. This outstanding cardinal participated in the councils of Siena (Italy) and Basel (Switzerland). This paper aims to point out the epigraphic program that was designed to perpetuate the memory of this illustrious prelate from Seville. For this purpose, different documentary and bibliographical sources have been used to contextualize foundation of the Juan Cervante’s sepulchral chapel, besides possible connotations of its epigraphic message. As other fifteenth-century funerary monuments of Castile, cardinal Cervantes’s sepulcher was an important contribution to the necrological panorama. This monument concentrated, in the same space, both humanistic and gothic art perspectives. The sepulchral epitaph writing and its author's subscription are related to other contemporary monuments from Castile and Italy, which were demonstrating examples of new aesthetic sensibilities linked to the writing, as this chapel shows.

documenta and instrumenta

Antiguas letras para un arte nuevo: escritura, memoria y publicidad en el sepulcro del cardenal Juan de Cervantes en la catedral de Sevilla (1454-1458)