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The case study of the professional roles of the documentalist researcher in the fictional television series, Foodie Love, is presented. From this case, the documentalist’s work is described in each of the production phases of the series, and everything related to the management of the copyright of musical works is analyzed in detail, such as the types of rights -editorial rights and master rightsand the main sources of information for this professional activity.

El documentalista researcher y la gestión de derechos de obras musicales en una serie de ficción. El caso de ‘Foodie Love’