English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Tools annual

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Presents the access of premium content as premium feature

Premium Content

Global: Zendy Plus annual

Global: Zendy Free Plan

El presente artículo evalúa y facilita el conocimiento de Frente al lienzo (1924) del escritor, caricaturista y artista plástico José Román (1871-1957), un precoz ensayo que hasta el momento ha sido poco analizado por la historiografía, singular ejemplo dentro de la incipiente literatura cinematográfica española. Con el objetivo de poner en valor su carácter original, precursor y propedéutico, se han examinado las principales preocupaciones y debates que se dan cita en el texto, seleccionando pasajes claves y estableciendo relaciones con escritos contemporáneos e inmediatamente posteriores.This article evaluates and offers insight into the work Frente al lienzo (1924) by visual artist and writer José Román (1871-1957). This essay from the 1920s, almost unknown until the present day, and yet to be analyzed by historiographers, is an early example from emerging Spanish cinematography literature. In order to highlight its original, pioneering and propaedeutic nature, the main concerns and debates of the text have been examined, selecting key passages and establishing relationships with contemporary and immediately subsequent documents

Frente al lienzo: cine, arte y sociedad. Un ensayo pionero en la literatura cinematográfica española