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This article aims to review the concepts that are commonly used for the contextual ascription of a poetic work. In this case, it is studied the appropriateness of locating Eduardo Milan (Rivera, Uruguay, 1952) within the different geographical and political limits and the necessity of finding new categories which may account for their alteration. Similarly, it seems indispensable the rethinking of the elements which decide his situation within the literary scene.

Más allá de la frontera: adscripciones contextuales de la obra de Eduardo Milán