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En este trabajo se analizan los diferentes recursos técnicos y los elementos narrativos renovadores que emplea Juan Carlos Onetti (1909-1994) en sus primeros relatos: “Avenida de Mayo-Diagonal-Avenida de Mayo”, “El obstáculo” y “El Posible Baldi” que exponen un problema central de la época moderna: la organización dicotómica de la ciudad bonaerense vista a través de las acciones de los protagonistas, quienes se cuestionan si ésta es, realmente o no, un espacio que multiplica las posibilidades de ensoñación.This paper discusses the different technical resources and innovative narrative elements that Juan Carlos Onetti (1909-1994) employs in his first stories, "Avenida de Mayo Avenida Diagonal of May", "The obstacle" and "Possible Baldi". In them a central problem of modern times is exposed: the dichotomous organization of the Buenos Aires city viewed through the actions of the protagonists, who question whether it is really a space that multiplies the possibilities of dreaming or not.

Ciudad abierta / Ciudad cerrada: La urbe como espacio generador del relato en la primera narrativa onettiana