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Few Australians would forget the powerful portraits painted by Myuran Sukumaran, one of the Bali Nine convicted drug traffickers, who was executed on 29 April 2015 while he was in Kerobokan Prison. The strong colours and thick oil paint of his works, a style chosen by Sukumaran following his mentor, Australian artist Ben Quilty, are striking as well as tragic: a potent condemnation of the capital punishment regime that would kill the artist that the prison system had mentored and nurtured.

Leonidas K Cheliotis (2012) (ed.) The Arts of Imprisonment: Control, Resistance and Empowerment. Surrey: Ashgate.