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Two current projects of the authors try to approach cultural heritage landscapes from both cultural sciences and geography through acombination of customised geo-information (GIS) and visualisation/presentation technology. In excess of a mere academic use, easyto-handle virtual 3D web presentations may contribute to knowledge, esteem, commemoration and preservation. The examples relateto pre-historic Scythian burial sites in the South-Siberian Altay Mountains ("Uch Enmek") as well as to a "virtual memorial" ofcontemporary history ("GEPAM"), a chapter of Jewish prosecution in the "Third Reich", which historically connects the town ofDresden with the Czech Terezin (Theresienstadt). It is common knowledge that a profound understanding of (pre-)historic artefactsand places may reflect a larger environment as well as an individual geographic setting. Coming from this background, the presentedprojects try to find technical solutions. They start from GIS models and aim at customised interactive presentations of 3D models. Inusing the latter a widely-spanned public is invited to a land- or townscape of specific cultural importance. The geographic space isthought to work as a door to a repository of educational exhibits under the umbrella of a web application. Within this concept alandscape/townscape also accounts for the time dimension in different scales (time of construction/operation versus actual state, andin sense of a season and time of the day as a principal modulator of visual perception of space)

PRESENTING CULTURAL HERITAGE LANDSCAPES – FROM GIS VIA 3D MODELS TO INTERACTIVE PRESENTATION FRAMEWORKS