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The Maritime Theatre is one of the iconic buildings of Hadrian’s Villa, Tivoli. The state of conservation of the theatre is not only the\udresult of weathering over time, but also due to restoration work carried out during the Fifties of the past century. Although this\udanastylosis process had the virtue of partially restoring a few of the fragments of the compound’s original image, it now reveals\uddiverse inconsistencies and genuine errors in the reassembling of the fragments. This study aims at carrying out a digital\udreinterpretation of the restoration of the architectural fragments in relation to the architectural order, with particular reference to the\udmiscellaneous decoration of the frieze of the Teatro Marittimo (vestibule and atrium).\ud \udOver the course of the last few years the Teatro Marittimo has been the target of numerous surveying campaigns using digital\udmethodology (laser scanner and photogrammetry SfM/MVS). Starting with the study of the remains of the opus caementicium on the\udground, it is possible to identify surfaces which are then used in the model for subsequent cross sections, so as to achieve the best\udfitting circumferences to use as reference points to put the fragments back into place

the international archives of the photogrammetry, remote sensing and spatial information sciences/international archives of the photogrammetry, remote sensing and spatial information sciences

GUIDELINES FOR A DIGITAL REINTERPRETATION OF ARCHITECTURAL RESTORATION WORK: REALITY-BASED MODELS AND REVERSE MODELLING TECHNIQUES APPLIED TO THE ARCHITECTURAL DECORATION OF THE TEATRO MARITTIMO, VILLA ADRIANA