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Sometimes it is difficult to represent “on paper" the existing reality of architectonic elements, depending on the complexity of his\udgeometry, but not only in cases with complex geometries: non-relief surfaces, can need a “special planar format” for its graphical\udrepresentation.\ud  \udNowadays, there are a lot of methods to obtain tridimensional recovery of our Cultural Heritage with different ranges of the\udrelationship accuracy / costs, even getting high accuracy using “low-cost” recovery methods as digital photogrammetry, which allow\udus easily to obtain a graphical representation “on paper”: ortho-images of different points of view. This can be useful for many\udpurposes but, for others, an orthographic projection is not really very interesting.\ud  \udIn non-site restoration tasks of frescoed vaults, a “planar format” representation in needed to see in true magnitude the paintings\udrepresented on the intrados vault, because of the general methodology used: gluing the fresco on a fabric, removing the fresco-fabric\udfrom the support, moving to laboratory, removing the fresco from the fabric, restoring the fresco, gluing back the restored fresco on\udanother fabric, laying the restored fresco on the original location and removing the fabric. Because of this, many times, an unfolded\udmodel is needed, in a similar way a cylinder or cone can be unfolded, but in this case with a texture included: UV unwrapping.\ud  \udUnfold and fold-back processes, can be especially interesting in restoration field of frescoed vaults and domes at: chromatic\udrecovery of paintings, reconstruction of partially missed geometries, transference of paintings on surfaces, etc

the international archives of the photogrammetry, remote sensing and spatial information sciences/international archives of the photogrammetry, remote sensing and spatial information sciences

COMPUTATIONAL VISION IN UV-MAPPING OF TEXTURED MESHES COMING FROM PHOTOGRAMMETRIC RECOVERY: UNWRAPPING FRESCOED VAULTS