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Since a few years, structure-from-motion and multi-view stereo pipelines have become omnipresent in the cultural heritage domain.\udThe fact that such Image-Based Modelling (IBM) approaches are capable of providing a photo-realistic texture along the threedimensional\ud(3D) digital surface geometry is often considered a unique selling point, certainly for those cases that aim for a visually\udpleasing result. However, this texture can very often also obscure the underlying geometrical details of the surface, making it very\udhard to assess the morphological features of the digitised artefact or scene. Instead of constantly switching between the textured and\uduntextured version of the 3D surface model, this paper presents a new method to generate a morphology-enhanced colour texture for\udthe 3D polymesh. The presented approach tries to overcome this switching between objects visualisations by fusing the original\udcolour texture data with a specific depiction of the surface normals. Whether applied to the original 3D surface model or a lowresolution\udderivative, this newly generated texture does not solely convey the colours in a proper way but also enhances the smalland\udlarge-scale spatial and morphological features that are hard or impossible to perceive in the original textured model. In addition,\udthe technique is very useful for low-end 3D viewers, since no additional memory and computing capacity are needed to convey\udrelief details properly. Apart from simple visualisation purposes, the textured 3D models are now also better suited for on-surface\udinterpretative mapping and the generation of line drawings

COMPUTER GRAPHICS MEETS IMAGE FUSION: THE POWER OF TEXTURE BAKING TO SIMULTANEOUSLY VISUALISE 3D SURFACE FEATURES AND COLOUR