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Publications from the early quantitative revolution in geography saw asignificant change in the use of visual material. While the old regionalistparadigm of "Länderkunde" was dominated by images of "geographicalindividuals" the new geography was dominated by abstract models andvisualized laws and theories. Overall visual material gains in importance,both quantitatively and qualitatively. This paper follows the changedfunctions, possibilities and promises of visualizing epistemic things ingeography's new paradigm. This is done by following the translations,transformations and mobilizations of the famous hexagon Walter Christallerpublished in his 1933 "Theory of central places in South Germany". Sincethe 1940s this Hexagon has become not only an icon of the new geography, butan instrument for making quantitative-theoretical thinking in the geographyplausible and at the same time to build a visual bridge between the old andthe new geography

Strukturen Sehen. Über die Karriere eines Hexagons in der quantitativen Revolution