English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

. Boundary | Time | Surface was an ephemeral, site-specific sculpture created to drawattention to the construction of social, political, scientific, and aesthetic boundaries that divide the Earth; one such practice is the scientific subdivision of geologic time. The sculpture comprised a 150 m fence alongthe international stratotype separating Ordovician from Cambrian strata inGros Morne National Park, Canada. The fence was constructed by hand within 1 d, on a falling tide, from materials found on site, with minimalenvironmental impact. During the following tidal cycles, it was dismantledby wave and tide action. This cycle of construction and destruction wasdocumented with time-lapse photography and video and brought to the publicthrough exhibitions, public talks, and a book. Exhibitions derived from thedocumentation of ephemeral works function as translations of the originalexperience. In this case, they provided opportunities for public interactionwith media that served both as aesthetic objects and as sources ofinformation about the site's geological and sociopolitical history. Weassess the role of the installation, and its documentation, in drawing public attention to boundaries, and examine responses including attendance records and written visitor comments as indications of the viewers' engagement with the concepts presented. Of several thousand visitors to exhibitions, 418 writtencomments reflected the viewers' engagement with both the location and theunderlying concepts. Both the original installation and the subsequent workallowed audiences to explore human understanding and acquisition ofknowledge about the Earth and how world-views inform the process ofscientific inquiry.

Boundary|Time|Surface: assessing a meeting of art and geology through an ephemeral sculptural work