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During the 1990s many architects, who dissociated from critical theory, were looking for new design methodologies that did not confine themselves as stylistic currents. One of these propractice movement is done by means of parametric design. Aiming to investigate the boundaries between methodology and style, this paper proposes to answer the question: does the parametric architecture constitute a new style, as Patrik Schumacher says? It reviews Heinrich Wölfflin concept of style in the contemporary context; it presents Imre Lakatos theory (methodology of scientific research programmes) and how Schumacher appropriates of it followed by a critical reflection on the limits of such appropriation.

Parametricism as style: the relationship between methodology of scientific research programmes and parametric design