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This paper proposes the analysis of the interaction between artists and scientists (sci-art) through the experience of coproduction and the role of technology in the process of creation from multiple perspectives, taking as an object of study the representation of submicroscopic phenomena at the molecular scale of life. This paper is centered in the experience of creation of the work named Introversión Dogmática (“Dogmatic Introversion”), but other subjects related to the theoretical framework are also mentioned.

Cooproducción desde el Arte, la Ciencia y las nuevas Tecnologías