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This article adopts historian Magda Modestos’s definition of puppet and titere. According to the autor, ‘’puppet’’ would be only the inert object; but when it is manipulated, and gains movement, it becomes ‘’titere’’. It is understood the puppet/títere as imbued with meaning in its formal aspect (configuration/ conformation) and dramatic action. It aims to offer the puppet designer, craftsmen and like-minded people, important tools that should be considered at the time to design a character. The

LINGUAGEM DO BONECO/TÍTERE PELO OLHAR DO DESIGN: CONTRIBUIÇÕES DO DESIGN PARA O TEATRO DE BONECOS