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This article investigates issues related to creative processes and graphical results arising from the practice of digital remix in design products. It is understood by digital remix the use and accumulation of images and layers of different sources such as hand drawings, synthesized objects and scanned photographs, processed graphically through computational tools. The article discusses the process of creation and production of graphic pieces created by the designer Rico Lins for the commemoration of 30 years of Rock in Rio. The concepts used for the analysis are worked from texts by Lev Manovich, Edmond Couchot, Ellen Lupton and Rick Poynor, among other authors. Heir to the “collage”, the digital remix offers a visuality built from disparate elements whose logic is quite different that productions in which reign the clarity and the objectivity of the images and aims to embody the imagination on a surface.

REMIX DIGITAL E COMPOSIÇÃO VISUAL NO DESIGN GRÁFICO CONTEMPORÂNEO