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this article focuses on webcams as a cinematic medium. it proposes an approach to studying the specific affected ownership, temporality, and filmic potential of the webcam. the article begins by advancing a differentiation between cctV and webcams. Next, it proposes a synthesis of the notions of cinematic time and network time to analyse the webcam’s real-time footage and conceptualise a third term: ‘realtime’. furthermore, the article outlines the webcam’s potential to generate cinematic chronotopes owing to their specific form of temporality.

Webcams as cinematic medium: Creating chronotopes of the real