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The contemporary cultural machine has been producing the apocalyptic discourses to reflect our experiences of living in and our encounters with an information-saturated environment for over the two last decades. Intrusions and invasions of monsters, machines and beasts into the human world have become rather familiar narratives of academic and cultural texts. This is not surprising. Times are vicious; brutal things are happening. Urgency to creatively respond to rapidly changing conditions that contemporary subjects experience today is becoming greater, especially because it is becoming hard to account for the changes that are unfolding. Escaping the velocity of change is like trying to depart on an ancient jet. It is a flight hard to choose. And while this urgency “flows” through and across our bodies, we can hear the echo of Morpheus’ words: “What you know you can’t explain. But you feel it. You’ve felt it your entire life. That there is something wrong with the world. You don’t know what it is. But it’s there, like a splinter in your mind driving you mad.” (Matrix, 1999)

Sensation and Embodiments of Virtual: In Contact with the Real