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Thinking on the poetry of Nicolas Behr may be as going through the city in its most varied configurations. In his poems, the city of Brasilia may be configured as a place of life or sterility, lack, return or escape, in a time and space that constitute city and subject. An impermanency. Based on the ideas of Foucault about the heterotopies, the aim of this study is to trace some relations between city and subject through the poetic operation done by Nicolas Behr in his text, in the images created or absent in Brasília – articulation among language, city and subject in the poem.  Keywords: poetry; subject; Brasíli

<b>(Im)possibilidades de Brasília em poemas de Nicolas Behr</b><br>doi:10.5007/2175-7917.2010v15n2p7