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The aim of this work is to focus attention on the dimension of space in Sardinia Blues (Publisher Bompiani, 2008), by Flavio Soriga. This is justified by the centrality of space throughout the novel and by the title itself. The island of Sardinia is not just a mere setting, but it is most importantly the articulating and conducting thread for all the themes related to the characters’ self-identity and existential issues. The regional Sardinian space, perceived as stereotyped and folkloristic, and the global space, seen as a source of both desire and fear, are problematized by the three young self-proclaimed “pirates of the island” in their long hours of idleness. It is our intention to highlight the conflicts of this marginal insular condition, heavily contaminated by an inevitable process of change, in Soriga’s simultaneously innovative and nostalgic fragmented text, filled with songs’ extracts and languages hybrids

O global e o insular: a dimensão do espaço em Sardinia Bluesdoi:10.5007/2175-7917.2010v15n2p199

O global e o insular: a dimensão do espaço em Sardinia Blues
doi:10.5007/2175-7917.2010v15n2p199