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The aim of this essay is to analyze the work Marked , by photographer Claudia Andujar, from the dual temporality in which it is inserted. As an inscription and continuity of colonial violence, the notions of image, anachronism, testimony, trauma and ethnocide will be mobilized and articulated in the development of the argument. From the woof that was built, a working hypothesis is supported: that the author wanted, through the image, to make an effort to symbolize the colonial process that has affected Brazil since 1500 and that continues to manifest itself in the present through new forms. As a result, the idea of trauma was articulated with Andujar's photographs and the experience of colonization which is, in this conception, an experience of ethnocide.

Trauma colonial e o testemunho do etnocídio Yanomami: uma leitura de marcados de Claudia Andujar