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Exhibition's stage has become a changing exercise over time, linked to a way of thinking historically the work. There are new museographic responses born of the participation of artists, architects and designers, and the role of the curator who, at times, transforms his role as theoretician in artist. Following this evolutionary dynamic, the exhibition has thus forged an almost independent identity of the museum itself. The meaning of the work in the place develops a new grammar that turns the exhibition into a work of art and also opens a debate around its current role.

Más allá del museo. Nuevos escenarios para la exposición