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Although he did not finish his studies in architecture, their influence is evident in the work by Pablo Palazuelo, who tried to develop a working method that would serve to reveal the formative processes of reality and translate them into a graphic language. This essay proposes to verify if the various operations inherent to the architectural drawing are also present in the methodology articulated by Palazuelo. This premise is based both on university education of Palazuelo and on his writings. To confront this hypothesis, this study proposes a journey that begins with the teachings received by Palazuelo. Subsequently, the article aims to reveal the different operations and graphic rendering that Palazuelo used, through comparisons between pairs of his works. Eventually, the different unpublished sketches by Palazuelo, that his Foundation guards, are analyzed to reconstruct the traces of the method he applied in the elaboration of his various proposals.

Superposiciones gráficas en el dibujo de Pablo Palazuelo