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Although Panofsky’s arguments have come under criticism for quite some time, they still seem to play a key role in the current disregard to perspective in architectural education. However, it is not clear that the essay expresses a negative conclusion about perspective. Furthermore, abstraction certainly implied the denial of perspective in Painting but, according to the opinion of the most celebrated masters of Modern Movement, not in Architecture.

LA PERSPECTIVA COMO FORMA SIMBÓLICA, UNA VEZ MÁS. Elementos para una revalorización de la perspectiva y la visualidad en Arquitectura