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The turn towards the visual produced in the last decades has placed the photography in the center of some analysis of the images that move between the doubt and the fascination for its power. The ways of doing of contemporary societies include new imaginaries that make suspicion of the negative influence of images in the present processes of subjectivation. On the other hand, we can see how, at the same time, today the credibility of discourses oriented to creation, memory or experience, disappears with images that leave the communicability to anchor themselves in meanings increasingly closer to a reality closed and interested repetitive and irreversible. In spite of this, nowadays, new arguments such as those of G. Agamben arise, which present a methodological proposal based on the duality of the image directed to show how the photographic medium configures through the dynamis of the "gesture" in the image a suitable place for a reversibility capable of enriching the debate on the creation and transmission of meaning presently through photography.

La dynamis de la imagen fotográfica