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This article reflects on the process that takes place in our memory for the construction of  a  memory,  an  internalization  process  that  becomes  the  starting  point  for  the creation of a pictorial work. For this we will use the concepts: Involuntary memory and phenomenological  experience  as  components  that  become  essential  to  explain  the birth of an image or if not, they place us in front of an attitude that in artistic work can surprise us in an unequaled way. This research is based on my own experience that as a practitioner of painting, has led me to reconsider memory as a source of creation and also as the origin of what we call imagination. In this study I will refer to the thought of Edmund Husserl  (1859‐1938) and Marcel Proust  (1871‐1922)  to deepen  the concepts that  are  capital  in  this  research,  as well  as  and  in  a  cross‐linked way, we will quote Henri  Bergson  (1859‐  1941)  and  the  philosopher  Marina  Garcés  (1973‐),  For  the construction of this speech I will mention two personal pictorial projects carried out in recent years: Aenclosures (2017‐18) and Gestations (2018‐2019). Both were presented in the exhibition spaces of the Port of Tarragona during the season (2019‐20).

Fenomenología y memoria involuntaria en la experimentación pictórica