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An overview of Gujarati Lalit (mainstream literature, having derived the name from its obsession with the „beautiful‟) clearly indicates the predominant presence of Brahmin writers. It is against this backdrop of Gujarati Lalit literature, considered central/ mainstream, great/ aesthetic, that Dalit literature came to be considered marginal/ peripheral, little/ unaesthetic. These two currents are fundamentally oppositional. It is out of this situation that Dalit literature begins to define itself as being essentially different in nature, scope, implications, and direction.

REGIONAL LITERATURE AND STREAKS OF MARGINALIZATION: AN OVERVIEW OF GUJARATI DALIT LITERATURE