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This text analyzes the process of audiovisual production of the Kichwa Sarayaku People of the Ecuadorean Amazon, as part of a politics of a positioned, relational and dynamic representation, with which they have reconfigured their strategies of struggle, for territorial and cultural defense and self-determination, this process also permitted them to use media, not just to denounce, but also to subjectivize and enunciate their ways of being in the world.

Self-representation and self-determination: Sarayaku and the audiovisual appropriation for the sake of territorial defense.