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The aim of this article was to reflect and explain the existing relationships between literature and politics in what concerns the play The State of Siege, by Albert Camus (1913-1960). Launched in 1948, at the end of the historical-social context called by Hobsbaw (1995) as the era of catastrophe, the play focuses on a pandemic that is plaguing the coastal city of Cádiz, in order to make an allegory about the ideological atrocities of the Nazi totalitarian ambition of right and extreme right regimes that progressively consolidated in Europe since the 1920s. The critical approach is proposed the hypothesis that, in the play The State of Siege, there is an aesthetic formalization of legal-political mechanisms specific to the State of exception (AGAMBEN, 2004), which takes the characters to a state of anomie from the systemic-symbolic violence (ŽIŽEK, 2014).

ALBERT CAMUS, ESTADO DE EXCEÇÃO E O ESPETÁCULO BÁRBARO DA ANOMIA JURÍDICA: FORMALIZAÇÃO ESTÉTICA DIANTE DO PROCESSO HISTÓRICO-SOCIAL NAZIFASCISTA