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O materialismo lacaniano, inicialmente ligado a filosofia politica, tem gradualmente expandido seus limites, alcancando agora a area dos estudos culturais, tornando-se uma forte alternativa para a analise literaria. Trata-se de um pensamento humanistico que, porem, critica as limitacoes do marxismo tradicional, acrescentando, ainda, a importância de ler os textos literarios a partir do conceito de Inconsciente, o qual se estrutura como uma linguagem. Os principais pensadores dessa corrente sao Slavoj Žižek e Alan Badiou e, aqui, usamos principalmente os conceitos do primeiro para analisar o conto “Amor” de Clarice Lispector, enfocando especificamente a possibilidade de se relacionar a fabula do conto a uma representacao do encontro com o traumatico Real Lacaniano. Para tanto, analisamos a estrutura e conteudo do conto em questao em busca de indicios que possam ser relacionados ao rompimento ou instabilidade da estrutura simbolica e entrada no Real. Percebemos que a propria estrutura do conto da margem a essa interpretacao, sendo construido em tres partes distintas, equivalentes ao equilibrio simbolico, desestruturacao pelo contato com o Real, e reestruturacao necessaria da ordem simbolica. PALAVRAS-CHAVE: Clarice Lispector. Amor. Critica Literaria. Materialismo Lacaniano. Slavoj Žižek. Abstract Lacanian materialism, initially related to politics philosophy, has been gradually expanding its limits, reaching now the cultural studies and being an alternative to literary analysis. It is an humanistic thought, which, however, criticizes the limitations of traditional Marxism, adding, yet, the importance of reading literary texts by the concept of the Unconscious, which is structured as a language. The main thinkers of this philosophy are Slavoj Žižek and Alan Badiou and, here, we use mainly the concepts of the first of them to analyze the short story “Amor”, by Clarice Lispector, focusing specially the possibility of connecting the plot of the short story to an encounter with the traumatic Lacanian Real. Therefore, we analyzed the plot and structure of the short story chosen searching for evidences which could be related to the rupture or instability of Symbolic structure and entrance in the Real. We noticed that the very structure of the short story opens the possibility to this interpretation, being constructed in three different parts, which could be related to the Symbolic balance, the instability occasioned by the contact with Real and the necessary restructuring of Symbolic level. KEYWORDS : Clarice Lispector. Amor. Literary Criticism. Lacanian Materialism. Slavoj Žižek

“AMOR”, ENTRE CLARICE E ŽIŽEK: UMA ANÁLISE A PARTIR DO MATERIALISMO LACANIANO