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The aim of this study is to present how the silence is illustrated in the novel Anacrusa (2004), by Ricardo Daunt. Regarding the silence matter, the analysis has as main theoretical basis the propositions of Barthes (2003), Holanda (1992), Orlandi (2002) and Homem (2011). As for the specificity of the narrative, the contributions of Adorno (2012) over the contemporary narrator and Candido et al (2014) over the character of the novel were used as theoretical background. The study of the literary work of Ricardo Daunt fostered conclusions regarding the identity of the contemporary narrator. As a result, the narrator no longer behaves as a simple storyteller, resorting to expressive means such as silence, in order to exert his power over the narrative. Furthermore, as strategic approach the narrator of Anacrusa mutes the characters when their speech can compromise him, exposing the silence as an instrument of oppression. The narrator also creates greater spaces between each paragraph, presenting a gap in the story of the characters and narrating only the passages that are pertinent to the vision that he intends to create for the reader. Entradas para indexação PALAVRAS-CHAVE: Romance contemporâneo. Silêncio. Narrador. Daunt.

Vozes sem sonoridade: tramas do silêncio em Anacrusa, de Ricardo Daunt