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This manuscript applies a cross discilinary cum post disciplinary approach to scrutinising some of the metaphysical insights of French philosopher Deleuze on knowledge-production in the arts, film, literature, and science to like matters of authorial thinking within Tourism Studies. It seeks to translate his expansive thoughtlines on non-representational geophilosophy to the worldmaking agency of Tourism Studies (and related fields) not regarding what tourism is but what it does, notably in terms of how it generally works for institutions and interest groups, and how it specifically effects travellers and host populations, often giving them heavily-striated (i.e., densely-overcoded) visions of peoples/places/pasts/presents. The paper highlights many of the paradoxical dynamic dimensions ingrained within beyond-the-discipline Deleuzian thought, focusing upon his role as an ‘outsider philosopher’ who unsettles commonplace visions of being and identity (within disciplines and domains of 'knowledge') by encouraging both individuals and en groupe populations towards fresh stranger-to-oneself yet creative lines of flight depersonalised understandings. It thereby suggests that the quasi-virtual world of Deleuzian conceptuality (viz.: his paradoxical insights into virtual realms [which are conceivably real without being 'actual' and ideal without being 'abstract']) have much oxygenating relevance to ‘the creative encounter’ possibilities of travel and tourism. The paper thereby has tall relevance for those in other fields who feel distinctly constrained by the dogmatisms of their supposedly parent discipline or domain.

Over coding In Disciplines and Fields (After Deleuze) a Call for ‘Dynamic Genesis’ In Tourism Studies and Related Domains